Soft launching for UK & US customers.
Printed in lustrous oil-based ink on thick, soft, matte paper. This is for the witches who enjoy Victorian romance novels, properly constructed steel-boned corsets, antique candelabras, and perfectly brewed loose-leaf tea served in porcelain cups with clean saucers for reading the leaves.
One of currently ten witches in the Coven series. Megan Tailford sketched the design, carved the linoleum block by hand, and pulled every print herself.
The sheet is 5 inches square, on 250gsm Somerset, an acid-free cotton rag paper with a deckle edge.
A signed open edition, so she prints more when these run out. It arrives unframed in a recyclable, card-backed envelope.
Printed in lustrous oil-based ink on thick, soft, matte paper. This is for the witches who enjoy Victorian romance novels, properly constructed steel-boned corsets, antique candelabras, and perfectly brewed loose-leaf tea served in porcelain cups with clean saucers for reading the leaves.
One of currently ten witches in the Coven series. Megan Tailford sketched the design, carved the linoleum block by hand, and pulled every print herself.
The sheet is 5 inches square, on 250gsm Somerset, an acid-free cotton rag paper with a deckle edge.
A signed open edition, so she prints more when these run out. It arrives unframed in a recyclable, card-backed envelope.
Megan Tailford cuts every block by hand and pulls every print by hand, in runs that stop at about thirty because that is all the drying space she has. Nothing is reproduced and nothing is printed by a machine. She prints some of it on paper she mills herself out of misprints and junk mail.
