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This week on The Haud
A handful of pieces from the makers' benches this week, freshly listed.
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Endangered
Endangered
Endangered
Endangered
Joshua Lea
Joshua paints the British landscape the way the eighteenth century taught us to look at it. Not as documentary, not as backdrop, but as weather and water and the particular slant of a winter afternoon.
London · Since 2018Shop the maker
Hands behind the work
Every piece on The Haud is made by a named British maker. Meet the workshops, studios, and benches it comes from.

Tightrope Knots
Hand-spun cotton, flax and dead-stock rope, twisted into dog leads, doorstops and juggling balls. · Cambridge, CambridgeshireSee pieces
The Bumbling Basketeer
Oak swill baskets and hand-bound brushes, made in rural Perthshire. · Crieff, PerthshireSee pieces
Jessica Linley
Abstract oil paintings, colour-led, made one at a timeSee pieces
Lucy Hook-Child
Hand-plaited corn dollies and harvest tokens, made in Essex from heritage straw. · Layer de la Haye, EssexSee pieces
Daunton Marbling
Hand-marbled paper, double-marbled illustrations and chain garland kits. · North East LondonSee pieces
Elyn Middleton
Hand-stitched patchwork quilts and quilted tapestries, made slowly in a Sheffield living room. · Sheffield, South YorkshireSee pieces
Joshua Lea
Romantic British landscapes in oil paint, from Thames scenes to the Solway coast. · LondonSee pieces
165 British crafts are recorded at risk. When the last practitioner stops, the skill is gone.
See the endangered craftsThe Journal
The JournalI couldn't let these crafts disappear
By Rosie Thompson • 23 July 2026
I once drove 400 miles for a basket. Not just any basket. It was made by Simon, one of the few people left who still works his particular tradition of basketry, the kind of skill that lives in a person's hands and takes years to learn. I filmed the trip, put it online, and a surprising number of people watched a woman explain why a single basket was worth 4 trains and 9 hours of travel. That trip is really where The Haud started.
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