A ram with his head turned and two horns curling into full spirals, the largest gesture in Annie Rose Edwards' flock.
The whole animal, horns included, is pinched from one lump of stoneware in the fingers, without a mould. Nothing is drawn first, so the spiral is a decision made in the clay. Roughly 6.5 by 8.5 by 3.5cm.
A speckled turquoise glaze runs over the body and stops short of the feet, leaving four points of raw clay to stand on. Iron in the clay burns through as rust-coloured flecks.
Annie Rose EdwardsArrives Fri 23 Oct, UK delivery from £3.88
A ram with his head turned and two horns curling into full spirals, the largest gesture in Annie Rose Edwards' flock.
The whole animal, horns included, is pinched from one lump of stoneware in the fingers, without a mould. Nothing is drawn first, so the spiral is a decision made in the clay. Roughly 6.5 by 8.5 by 3.5cm.
A speckled turquoise glaze runs over the body and stops short of the feet, leaving four points of raw clay to stand on. Iron in the clay burns through as rust-coloured flecks.
Annie Rose Edwards pinches small animal figures from single lumps of clay, and throws cups and bowls whose surfaces are made to be handled. She works from a studio in New Cross, south east London, and draws her forms from museum cases.
Annie Rose Edwards pinches small animal figures from single lumps of clay, and throws cups and bowls whose surfaces are made to be handled. She works from a studio in New Cross, south east London, and draws her forms from museum cases.
