A horned figure standing four square, the horns swept up and out, the widest gesture Annie Rose Edwards makes at this size.
The body is black stoneware, a darker and grittier clay than she uses for the rest, pinched from a single lump with the horns drawn out of the same piece rather than added on. Roughly 8.5 by 8 by 4cm.
Over the dark clay a pale lavender volcanic glaze pits and crawls, so the black shows through in the crevices and the horns read almost grey. He is the heaviest of the animals to hold.
Annie Rose EdwardsArrives Fri 23 Oct, UK delivery from £3.88
A horned figure standing four square, the horns swept up and out, the widest gesture Annie Rose Edwards makes at this size.
The body is black stoneware, a darker and grittier clay than she uses for the rest, pinched from a single lump with the horns drawn out of the same piece rather than added on. Roughly 8.5 by 8 by 4cm.
Over the dark clay a pale lavender volcanic glaze pits and crawls, so the black shows through in the crevices and the horns read almost grey. He is the heaviest of the animals to hold.
Annie Rose Edwards pinches small animal figures from single lumps of clay, and throws cups and bowls whose surfaces are made to be handled. She works from a studio in New Cross, south east London, and draws her forms from museum cases.
Annie Rose Edwards pinches small animal figures from single lumps of clay, and throws cups and bowls whose surfaces are made to be handled. She works from a studio in New Cross, south east London, and draws her forms from museum cases.
