A goat standing alert, horns held back along the neck, a little heavier through the body than the smallest of the group.
Annie Rose Edwards works each animal out of one lump of stoneware with her fingers alone, no mould and no sketch, which is why no two share a profile. Roughly 7 by 6.5 by 3cm.
Volcanic glaze gives the surface its crater-pitted texture, pale lavender over grey. She is weighted low enough to sit steady on an uneven shelf.
Annie Rose EdwardsArrives Fri 23 Oct, UK delivery from £3.88
A goat standing alert, horns held back along the neck, a little heavier through the body than the smallest of the group.
Annie Rose Edwards works each animal out of one lump of stoneware with her fingers alone, no mould and no sketch, which is why no two share a profile. Roughly 7 by 6.5 by 3cm.
Volcanic glaze gives the surface its crater-pitted texture, pale lavender over grey. She is weighted low enough to sit steady on an uneven shelf.
Annie Rose Edwards pinches small animal figures from single lumps of clay, and throws cups and bowls whose surfaces are made to be handled. She works from a studio in New Cross, south east London, and draws her forms from museum cases.
Annie Rose Edwards pinches small animal figures from single lumps of clay, and throws cups and bowls whose surfaces are made to be handled. She works from a studio in New Cross, south east London, and draws her forms from museum cases.
