A woman in a gold satin gown and long white gloves stands with one hand to her hair. Yellow lupins rise beside her, and she stands on a cream sheepskin rug laid over a black band.
KR Moorhead cuts every element by hand from a retrospective book on a century of fashion, a guide to hardy plants and alpines, and flooring cut from a 1970s interior decorating book, with nothing printed and nothing sourced online. It is mounted on 200 to 300gsm creamy pink cardstock, found in a charity shop and measures 2.5 by 3.5 inches, the standard trading card size, and it is titled, signed and dated on the reverse.
The piece arrives in a protective sleeve inside a stiff folded card, held with photo corners so it lifts out without being touched. At this size it is meant to be propped rather than hung, and it should be kept out of direct sunlight, which will fade secondhand paper faster than new.
A woman in a gold satin gown and long white gloves stands with one hand to her hair. Yellow lupins rise beside her, and she stands on a cream sheepskin rug laid over a black band.
KR Moorhead cuts every element by hand from a retrospective book on a century of fashion, a guide to hardy plants and alpines, and flooring cut from a 1970s interior decorating book, with nothing printed and nothing sourced online. It is mounted on 200 to 300gsm creamy pink cardstock, found in a charity shop and measures 2.5 by 3.5 inches, the standard trading card size, and it is titled, signed and dated on the reverse.
The piece arrives in a protective sleeve inside a stiff folded card, held with photo corners so it lifts out without being touched. At this size it is meant to be propped rather than hung, and it should be kept out of direct sunlight, which will fade secondhand paper faster than new.

KR Moorhead cuts collages by hand in Norwich, from books and materials found in charity shops. Nothing is printed, digitally manipulated or searched for online, so whatever can be physically sourced, determines what can be made.