The smallest of Annie Rose Edwards' animals: a goat with its horns swept back along the neck, standing square on four bare clay feet.
It is pinched, which means worked out of a single lump of clay in the fingers, with no mould and no drawing to follow. Annie makes each one to no plan and stops when the form stops changing. Roughly 5.5 by 6 by 2.5cm.
The lavender volcanic glaze boils in the firing and settles into a pitted skin, so a new piece looks like something lifted out of the ground. It is made to be handled rather than kept behind glass.
Annie Rose EdwardsArrives Fri 23 Oct, UK delivery from £3.88
The smallest of Annie Rose Edwards' animals: a goat with its horns swept back along the neck, standing square on four bare clay feet.
It is pinched, which means worked out of a single lump of clay in the fingers, with no mould and no drawing to follow. Annie makes each one to no plan and stops when the form stops changing. Roughly 5.5 by 6 by 2.5cm.
The lavender volcanic glaze boils in the firing and settles into a pitted skin, so a new piece looks like something lifted out of the ground. It is made to be handled rather than kept behind glass.
Annie Rose Edwards pinches small animal figures from single lumps of clay, and throws cups and bowls whose surfaces are made to be handled. She works from a studio in New Cross, south east London, and draws her forms from museum cases.
Annie Rose Edwards pinches small animal figures from single lumps of clay, and throws cups and bowls whose surfaces are made to be handled. She works from a studio in New Cross, south east London, and draws her forms from museum cases.
