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    1. Home
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    3. Encaustic tiles
    4. Quatrefoil Encaustic tile
    1. Home
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    3. Encaustic tiles
    1 / 2
    Bethan Lowri Hughes Jones

    Quatrefoil Encaustic tile

    IN STOCK · 2 AVAILABLECRIT. ENDANGERED
    Encaustic tiles
    £25
    QUANTITY
    1
    Made in Britain · by Bethan Lowri Hughes Jones|Arrives Sat 24 Oct, UK delivery from £3.88|14-day returns

    I learned about encaustic tiles at Neath Abbey from the book The Medieval Tiles of Wales. I contacted Cadw, who are responsible for Neath Abbey. I spent the afternoon with Bill Zajac the Neath Abbey historian, discussing the medieval tiles in the under croft of Neath Abbey. Learning how the tiles were made was very interesting, and I decided to do more research to learn how to use the same technique in my craft practice.

    Each tile begins with a wooden stamp that I carved by hand. Using second-hand carving tools, I carved my quatrefoil design into wood. I press the stamp into the clay to create the pattern, which is then filled with contrasting clay slip. I apply the glaze with a paintbrush to create expressive marks.

    1 / 2
    Bethan Lowri Hughes Jones · Cerameg Traed Bran

    Quatrefoil Encaustic tile

    £25
    IN STOCK · 2 AVAILABLE

    Arrives Sat 24 Oct, UK delivery from £3.88

    QUANTITY
    1
    • For UK Christmas delivery, order by Mon 14 Dec
    • 14-day returns
    • Made by hand in Britain
    Size
    13 × 13 × 1 cm
    Craft
    Critically endangered

    I learned about encaustic tiles at Neath Abbey from the book The Medieval Tiles of Wales. I contacted Cadw, who are responsible for Neath Abbey. I spent the afternoon with Bill Zajac the Neath Abbey historian, discussing the medieval tiles in the under croft of Neath Abbey. Learning how the tiles were made was very interesting, and I decided to do more research to learn how to use the same technique in my craft practice.

    Each tile begins with a wooden stamp that I carved by hand. Using second-hand carving tools, I carved my quatrefoil design into wood. I press the stamp into the clay to create the pattern, which is then filled with contrasting clay slip. I apply the glaze with a paintbrush to create expressive marks.

    QUESTIONS
    Bethan Lowri Hughes Jones
    The maker

    Bethan Lowri Hughes Jones

    Cerameg Traed Bran

    Bethan Lowri Hughes Jones carves a pattern into wet clay, floods the hollow with coloured slip, then scrapes the surface back to find out whether it worked. She works in Welsh, from a studio at Fireworks Clay Studios in Cardiff, and she will teach you the method as well as sell you the result.

    • Hands scraping back slip decoration on a large ceramic vessel covered in Welsh text
    • A hand painting Welsh words onto a clay slab in red and white slip
    • Hands decorating a ceramic disc at an outdoor bench beside an open sketchbook and two bowls
    • Bethan walking into the entrance passage of a grass-covered Neolithic chambered tomb
    • Spiral carvings cut into a weathered stone at the Loughcrew Neolithic complex
    • Bethan outside Oriel Myrddin gallery holding two of her decorated porcelain bowls
    See all of Bethan Lowri Hughes Jones's work →
    More from Bethan Lowri Hughes Jones
    • Quatrefoil Encaustic tile with centre roundel

      Quatrefoil Encaustic tile with centre roundel

      £25
    • curious rook

      curious rook

      £10
    Cerameg Traed Bran
    ABOUT THE MAKER

    Cerameg Traed Bran

    Inspired byThe Mabinogi and the carved stones of Neolithic and medieval Wales

    Bethan Lowri Hughes Jones carves a pattern into wet clay, floods the hollow with coloured slip, then scrapes the surface back to find out whether it worked. She works in Welsh, from a studio at Fireworks Clay Studios in Cardiff, and she will teach you the method as well as sell you the result.

    Visit Cerameg Traed Bran's shop
    More pieces by Cerameg Traed Bran
    • Quatrefoil Encaustic tile with centre roundel

      Quatrefoil Encaustic tile with centre roundel

    • curious rook

      curious rook

    CRITICALLY ENDANGERED CRAFT
    A critically endangered British craft
    Heritage Crafts places this craft in the highest category of risk on its Red List. The skills are held by a small number of people, and buying their work is what keeps those skills in use.
    LEARN ABOUT ENDANGERED CRAFTS →
    RARE
    CRAFT STATUS
    UK
    ORIGIN
    CRITICALLY ENDANGERED CRAFT
    A critically endangered British craft
    Heritage Crafts places this craft in the highest category of risk on its Red List. The skills are held by a small number of people, and buying their work is what keeps those skills in use.
    LEARN ABOUT ENDANGERED CRAFTS →
    From the journalThe Bench | Bethan Hughes Jones and the art of encaustic tiles

    Featured in

    • The Bench | Bethan Hughes Jones and the art of encaustic tiles

    Quatrefoil Encaustic tile

    £25.00