Of the five paintings on Jessica's current shelf, "Traces in Twilight" is the most colour-led. Strands of neon green run through a backdrop of layered blues and greys, and a muted red sits around the edges, warming the cooler depths from the outside in.
The effect, in the source description on her old shop, is of "electric filaments catching light in a shadowy forest." It is a useful image. The painting reads as both still and moving: each green line feels spontaneous, but the composition holds together as if the strokes were placed in a single breath.
It is a piece for a wall that gets evening light, where the colour temperature shifts as the room does. Approximately 30 by 40 centimetres, oil on panel, sold unframed.
Jessica LinleyArrives Mon 19 Oct, UK delivery from £3.88
Of the five paintings on Jessica's current shelf, "Traces in Twilight" is the most colour-led. Strands of neon green run through a backdrop of layered blues and greys, and a muted red sits around the edges, warming the cooler depths from the outside in.
The effect, in the source description on her old shop, is of "electric filaments catching light in a shadowy forest." It is a useful image. The painting reads as both still and moving: each green line feels spontaneous, but the composition holds together as if the strokes were placed in a single breath.
It is a piece for a wall that gets evening light, where the colour temperature shifts as the room does. Approximately 30 by 40 centimetres, oil on panel, sold unframed.
Jessica paints abstract oils about colour, mood, and the bursts of energy that happen between shapes. Each piece is one of a kind, signed, and sold unframed.
Jessica paints abstract oils about colour, mood, and the bursts of energy that happen between shapes. Each piece is one of a kind, signed, and sold unframed.
