King's Clump is one of the small named groves in Richmond Park, the kind of place that locals walk past every week and visitors never quite find. Joshua paints from the view nearby: open ground, the lush summer greens of the park, the distance softening as it meets the sky. The piece sits in the middle of his Richmond Park run by scale. Larger than the 10cm miniatures, smaller than the 40cm panels, it lets him hold detail without losing the freshness that smaller boards carry. The brushwork builds patiently in the way he learned from the eighteenth century landscape painters, soft and layered rather than precise. Oil on board, approximately 20cm by 25cm, signed by hand. Sold unframed.
Joshua LeaArrives Mon 19 Oct, UK delivery from £3.88
King's Clump is one of the small named groves in Richmond Park, the kind of place that locals walk past every week and visitors never quite find. Joshua paints from the view nearby: open ground, the lush summer greens of the park, the distance softening as it meets the sky. The piece sits in the middle of his Richmond Park run by scale. Larger than the 10cm miniatures, smaller than the 40cm panels, it lets him hold detail without losing the freshness that smaller boards carry. The brushwork builds patiently in the way he learned from the eighteenth century landscape painters, soft and layered rather than precise. Oil on board, approximately 20cm by 25cm, signed by hand. Sold unframed.
Joshua paints British rivers in oil, the Thames mostly, with a few weeks each year on the Solway coast. The light he chases is the light Constable chased: dusk along Pen Ponds, morning on the towpath, the moment the tide turns at Teddington Lock.
Joshua paints British rivers in oil, the Thames mostly, with a few weeks each year on the Solway coast. The light he chases is the light Constable chased: dusk along Pen Ponds, morning on the towpath, the moment the tide turns at Teddington Lock.
