Soft launching. More makers all summer.Soft launching with our founding makers. More arriving through the summer.
A doorstop with the weight and density of an old book. Just under a kilogram, sitting at 15cm square and 18cm tall. Heavy enough to hold a heavy door in a draught; small enough to be lifted with one hand.
The body is hand-spun flax rope, off-white in its natural colour, coiled and compressed under tension into a tight, structural form. Cotton rope picks out the detailing in a contrasting colour. The whole thing is built around the rope's own compression: there is no external weight, no sand inside; the density comes from the amount of fibre packed into the shape.
Flax has a slightly hairier hand than cotton and reads warmer in tone. Up close, the lay of the rope is visible across the surface, like a continuous spiral. From across a room, it looks like a piece of soft architecture.
One of a small range Gem makes around the rope-making technique itself: same craft as the dog leads and juggling balls, scaled and shaped for a different job.
A doorstop with the weight and density of an old book. Just under a kilogram, sitting at 15cm square and 18cm tall. Heavy enough to hold a heavy door in a draught; small enough to be lifted with one hand.
The body is hand-spun flax rope, off-white in its natural colour, coiled and compressed under tension into a tight, structural form. Cotton rope picks out the detailing in a contrasting colour. The whole thing is built around the rope's own compression: there is no external weight, no sand inside; the density comes from the amount of fibre packed into the shape.
Flax has a slightly hairier hand than cotton and reads warmer in tone. Up close, the lay of the rope is visible across the surface, like a continuous spiral. From across a room, it looks like a piece of soft architecture.
One of a small range Gem makes around the rope-making technique itself: same craft as the dog leads and juggling balls, scaled and shaped for a different job.

Gem Bowes learned to make rope at Arthur Beale, the Shaftesbury Avenue chandlery that has been splicing line since 1500-something. She works now from a Cambridge studio, hand-spinning flax and dead-stock yarn for dog leads, doorstops, juggling balls.